| 1 |
SUDIPTA SAHA |
19-06-2025 |
CC 9, FRANKENSTEIN |
|
| 2 |
JAHIRA HOSSAIN |
17-06-2025 |
SEMESTER 5, CC 12, The Epigraph of Love Song of J Alfred Prufrock |
|
| 3 |
SUDIPTA SAHA |
20-07-2021 |
DSE B1 (SEM 6, GEN), THE SHADOW LINES - THEMES |
|
| 4 |
SUDIPTA SAHA |
20-07-2021 |
DSE B1 (SEM 6, GEN), THE SHADOW LINES - CRITICAL ANALYSIS |
|
| 5 |
SHAYEARI DUTTA |
16-06-2021 |
SEM-4, CC10, Pride, Prejudice and Vanity in Elizabeth Bennet |
|
| 6 |
SHAYEARI DUTTA |
16-06-2021 |
SEM-4, CC10, Power, Fantasy and Subversion in Pride and Prejudice |
|
| 7 |
SHAYEARI DUTTA |
16-06-2021 |
SEM-4, CC10, Portrayal of Male Fools in Pride and Prejudice |
|
| 8 |
SHAYEARI DUTTA |
16-06-2021 |
SEM-4, CC10, Charlotte and Elizabeth, Multiple Modernities in Pride and Prejudice |
|
| 9 |
SHAYEARI DUTTA |
16-06-2021 |
SEM-4, CC10, Depiction of Women Mating Strategies, Pride and Prejudice |
|
| 10 |
SHAYEARI DUTTA |
16-06-2021 |
SEM-2, GE, Arms and the Man, text |
|
| 11 |
SHAYEARI DUTTA |
16-06-2021 |
SEM-6, GE, Out of Business, text |
|
| 12 |
SHAYEARI DUTTA |
16-06-2021 |
SEM-4, GE, A Gandhian in Garhwal, text |
|
| 13 |
SHAYEARI DUTTA |
16-06-2021 |
SEM-2, GE, Arms and the Man themes |
|
| 14 |
SHAYEARI DUTTA |
11-06-2021 |
SEM-4, CC10, Entailment of Property |
|
| 15 |
SHAYEARI DUTTA |
11-06-2021 |
SEM-4, CC10, Chance and Hierarchy, Pride and Prejudice |
|
| 16 |
SHAYEARI DUTTA |
11-06-2021 |
SEM-4, CC10 Name of Counties, Pride and Prejudice |
|
| 17 |
SHAYEARI DUTTA |
07-06-2021 |
SEM-6, CC13, The Good Woman of Setzuan as Epic Theatre |
|
| 18 |
SHAYEARI DUTTA |
07-06-2021 |
SEM-6, CC13, Brecht Message in The Good Woman of Setzuan |
|
| 19 |
SHAYEARI DUTTA |
07-06-2021 |
SEM-6, CC13, Brecht Background |
|
| 20 |
SHAYEARI DUTTA |
07-06-2021 |
SEM-6, CC13 Essay on The Good Woman of Setzuan |
|
| 21 |
SUDIPTA SAHA |
01-06-2021 |
CC 3, THE BENGAL RENAISSANCE |
|
| 22 |
SUDIPTA SAHA |
01-06-2021 |
CC 14, CONCEPT OF RITUAL - CHRONICLE OF A DEATH FORETOLD |
|
| 23 |
SUDIPTA SAHA |
01-06-2021 |
CC 14, VIOLENCE, TRAUMA AND COMMUNITY - CHRONICLE OF A DEATH FORETOLD |
|
| 24 |
SUDIPTA SAHA |
01-06-2021 |
CC 14, GENDER, CLASS AND SOCIAL RESTRICTIONS - CHRONICLE OF A DEATH FORETOLD |
|
| 25 |
SUDIPTA SAHA |
01-06-2021 |
CC 14, THE SACRED AND THE PROFANE - CHRONICLE OF A DEATH FORETOLD |
|
| 26 |
SUDIPTA SAHA |
01-06-2021 |
CC 14, FACT, FICTION AND MEMORY - CHRONICLE OF A DEATH FORETOLD |
|
| 27 |
SUDIPTA SAHA |
01-06-2021 |
CC 14, FATE VS. FREE WILL - CHRONICLE OF A DEATH FORETOLD |
|
| 28 |
SUDIPTA SAHA |
01-06-2021 |
CC1, SAMUEL BECKETT AND THE THEATRE OF THE ABSURD |
|
| 29 |
DR. RIMA CHAKRABORTY |
27-05-2021 |
CC14 (SEM 6), TONIGHT I CAN WRITE THE SADDEST LINES |
|
| 30 |
SHAYEARI DUTTA |
27-05-2021 |
SEM-4, Pride and Prejudice text |
|
| 31 |
DR. RIMA CHAKRABORTY |
24-05-2021 |
CC8 (SEM 4), ELEGY WRITTEN IN THE COUNTRY CHURCHYARD LINE WISE SUMMARY |
|
| 32 |
SHAYEARI DUTTA |
10-05-2021 |
SEM-2, CC3, Indian Writing in English |
|
| 33 |
DR. RIMA CHAKRABORTY |
05-05-2021 |
CC13 (SEM 6), WAITING FOR GODOT |
|
| 34 |
DR. RIMA CHAKRABORTY |
05-05-2021 |
CC13 (SEM 6), WAITING FOR GODOT |
|
| 35 |
DR. RIMA CHAKRABORTY |
05-05-2021 |
CC13 (SEM 6), WAITING FOR GODOT |
|
| 36 |
DR. RIMA CHAKRABORTY |
05-05-2021 |
CC13 (SEM 6) , WAITING FOR GOGOT |
|
| 37 |
DR. RIMA CHAKRABORTY |
05-05-2021 |
CC13 (SEM 6), WAITING FOR GODOT |
|
| 38 |
DR. RIMA CHAKRABORTY |
30-04-2021 |
CC13 (SEM 6), THEATRE OF ABSURD |
|
| 39 |
DR. RIMA CHAKRABORTY |
30-04-2021 |
CC13 (SEM 6), EXISTANTIALISM |
|
| 40 |
DR. RIMA CHAKRABORTY |
30-04-2021 |
CC13 (SEM 6), BECKETT BIOGRAPHY |
|
| 41 |
DR. RIMA CHAKRABORTY |
28-04-2021 |
CC10 (SEM 4), ULYSSES |
|
| 42 |
DR. RIMA CHAKRABORTY |
28-04-2021 |
CC10 (SEM 4), ULYSSES |
|
| 43 |
SHAYEARI DUTTA |
13-04-2021 |
SEM-6, CC13, Bertolt Brecht Background |
|
| 44 |
SHAYEARI DUTTA |
13-04-2021 |
SEM-6, CC13, The Good Woman of Setzuan, full text |
|
| 45 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 12, Note on No Second Troy |
|
| 46 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 12, Memory and Desire in Preludes |
|
| 47 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 12, Metaphors of the Centre and Periphery in The Second Coming |
|
| 48 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 12, Image and Idea in The Second Coming |
|
| 49 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 12, Theme and Interpretation of The Second Coming |
|
| 50 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 12, Interpretation of The Second Coming |
|
| 51 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 12, Interpretation of The Second Coming by Yeats |
|
| 52 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 12, Critical Commentary on Preludes and The Love Song of J Alfred Prufrcok |
|
| 53 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 12, Prufrock and After - The Theme of Change |
|
| 54 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 12, Metaphorical Analysis of Love Song of J Alfred Prufrock |
|
| 55 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 12, Interpretation of The Love Song of J Alfred Prufrock |
|
| 56 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 12, Interpretation - The Love Song of J Alfred Prufrock |
|
| 57 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 12, Allusion to Dantes Divine Comedy in The Love Song of J Alfred Prufrock |
|
| 58 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 12, The Cambridge Introduction to T S Eliot |
|
| 59 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 12, The Ethics of Modernism - W B Yeats and T S Eliot |
|
| 60 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 12, Dante and T S Eliots Prufrock |
|
| 61 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 12, T S Eliot and Modernist Studies |
|
| 62 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 12, T S Eliot and Modernity |
|
| 63 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, The Changing World of Religion - Tanika Sarkar |
|
| 64 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, Commentary on Amar Jiban by Tanika Sarkar |
|
| 65 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, The Traditional Roles of Women in Bengali Society |
|
| 66 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, The Role of the Bhadramahila as Housewife |
|
| 67 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, Motherhood and Child Rearing - Traditional Role of Bengali Women |
|
| 68 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, Education of the Bengali Bhadramahila |
|
| 69 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, Domesticity and the Position of Women in the Late Colonial India |
|
| 70 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, The Limits of Gender Ideology- Bengali Women the Colonial State and the Private Sphere |
|
| 71 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, Sen, Indrani - Colonial Constructions of the Indian Woman |
|
| 72 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, Feminist Criticism - from Beginning Theory by Peter Barry |
|
| 73 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, Under Western Eyes - Chandra Talpade Mohanty |
|
| 74 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, The Textual Politics of Rape in Manto and Mahasweta Devi |
|
| 75 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, The Author (Mahasweta Devi) in Conversation - from Imaginary Maps |
|
| 76 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, Subaltern Agency in Mahasweta Devis Short Fictions |
|
| 77 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, Struggling Bodies and Minds in Mahasweta Devi |
|
| 78 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, Performing Naked Protest in India - The Cotext of Mahaswta Devis Draupadi |
|
| 79 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, Mahasweta Devis Rhetoric of Subversion in Draupadi |
|
| 80 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, Defiance and the Speakablity of Rape- Mahasweta Devis Short Fictions |
|
| 81 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, Representing a Dalit Woman from (MAPPING DALIT FEMINISM) |
|
| 82 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, Pan, Anandita - Being a Dalit Woman (from MAPPING DALIT FEMINISM) |
|
| 83 |
JAHIRA HOSSAIN |
09-03-2021 |
SEMESTER 5, CC 11, Draupadi by Mahasveta Devi, Translated with a Foreword by Gayatri Chakravorty Spivak |
|
| 84 |
SUDIPTA SAHA |
08-03-2021 |
CC2, THE ILIAD - EPIC CONVENTIONS |
|
| 85 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 7, The Semiotics of Restoration Performance in The Rover |
|
| 86 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 7, The Language of Gender in The Rover |
|
| 87 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 7, The Cambridge Companion to Aphra Behn |
|
| 88 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 7, The Audience of Restoration Comedy- 1660-1776 |
|
| 89 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 7, Rape on the Restoration Stage |
|
| 90 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 7, Rape and the Female Subject in The Rover |
|
| 91 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 7, Playing for All in the City - Womens Drama |
|
| 92 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 7, Moving Miniatures and Circulating Bodies in The Rover |
|
| 93 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 7, Aughterson, Kate - Aphra Behn - the Comedies (Analysing Texts) |
|
| 94 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 7, Helenas Self-Creation of Youth in The Rover Part I |
|
| 95 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 7, Hughes, Derek - The Theatre of Aphra Behn (2001, Palgrave Macmillan) |
|
| 96 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 7, Contextualizing Aphra Behn- Plays and Politics |
|
| 97 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 7, Carnivalizing in The Rover |
|
| 98 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 7, Aphra Behns Destabilization of Sexual Categories |
|
| 99 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 7, Aphra Behn and the Roundheads |
|
| 100 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 6, Trivializing Empire- The World of Sukumar Ray |
|
| 101 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 6, Trivializing Empire- The World of Upendrakishore Ray |
|
| 102 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 6, The Illogic of Fantasy and Nonsense- the Indian Context |
|
| 103 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 6, The Fantastic Bestiary in Sukumar Ray |
|
| 104 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 6, Sinha, Mrinalini - Colonial Masculinity and the Bengali Identity- Introduction |
|
| 105 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 6, Selected Letters of Sukumar Ray |
|
| 106 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 6, On Fairy Tales Intellectuals and Nationalism in Bengal |
|
| 107 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 6, Nonsense, Play and Liminality |
|
| 108 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 6, Literature and Politics of Identity in Bengal |
|
| 109 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 6, Kaviraj, Sudipta - The Two Histories of Literary Culture in Bengal |
|
| 110 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 6, Kaviraj, Sudipta - Laughter and Subjectivity- The Self Ironical Tradition in Bengali Literature |
|
| 111 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 6, Introduction- Childrens Literature and Colonial India |
|
| 112 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 6, Chhara Punthi - Nursery Rhymes of Bengal |
|
| 113 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 6, Bengals Nonsense Rhymes |
|
| 114 |
JAHIRA HOSSAIN |
08-03-2021 |
SEMESTER 3, CC 6, Bengali Folk Rhymes - An Introduction |
|
| 115 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, Brief Introduction to Metamorphoses |
|
| 116 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, Liveley, Genevieve - Metamorphoses - A Readers Guide |
|
| 117 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, The Warning of Tiresias to Pentheus |
|
| 118 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, The Rejection of Pentheus by Bacchus |
|
| 119 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, The Bacchanalia and Roman Culture |
|
| 120 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, The Captive Acoetes and His Tale |
|
| 121 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, The Gruesome Demise of Pentheus |
|
| 122 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, Pentheus and Bacchus |
|
| 123 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2,The Literary Progression of Ovid - Elegy to Epic |
|
| 124 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, Ovid and the Theban Narrative |
|
| 125 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, Ovid and His Times |
|
| 126 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, Coleman, K M- Tiresias the Judge |
|
| 127 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, McNamara, Joanne. - The Frustration of Pentheus |
|
| 128 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 3, CC 5, Blooms Modern Critical Interpretations - The Old Man and the Sea |
|
| 129 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 3, CC 5, The Cuban Context of The Old Man and The Sea |
|
| 130 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 3, CC 5, Tragic Vision of Life Old Man and the Sea |
|
| 131 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 3, CC 5, The Tenor of Masculine Grace in The Old Man and the Sea |
|
| 132 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 3, CC 5,Machismo and Masochism in the Works of Hemingway |
|
| 133 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 3, CC 5, Symbolism Old Man and the Sea |
|
| 134 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 3, CC 5, Heroic Impulse in The Old Man and the Sea |
|
| 135 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 3, CC 5, Hemingways Masculine Persona and His Portrayal of Manhood |
|
| 136 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 3, CC 5, Hemingways Extended Vision in The Old Man and the Sea |
|
| 137 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 3, CC 5, Existentialism in The Old Man and the Sea |
|
| 138 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, Introduction to Ovid |
|
| 139 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, Brief Introduction to Roman Literature |
|
| 140 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, Brief Introduction to Roman Literature |
|
| 141 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, Index of Persons in Metamorphoses |
|
| 142 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, Fantasy, the Fabulous and The Miraculous Metamorphoses of Nature |
|
| 143 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, Transforming Bodies, Transforming Epic |
|
| 144 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, Epic- Features |
|
| 145 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, List of Roman Emperors |
|
| 146 |
JAHIRA HOSSAIN |
07-03-2021 |
SEMESTER 1, CC 2, Major Greek and Roman Gods |
|
| 147 |
SHAYEARI DUTTA |
05-03-2021 |
SEM-3, CC5, Family Dreams in Death of a Salesman |
|
| 148 |
SHAYEARI DUTTA |
05-03-2021 |
SEM-3, CC5, Search for Identity in Death of a Salesman |
|
| 149 |
SHAYEARI DUTTA |
05-03-2021 |
SEM-3, CC5, Treatment of the American Dream in Death of a Salesman |
|
| 150 |
SHAYEARI DUTTA |
05-03-2021 |
SEM-3, CC5, The Nature of Tragedy in Death of a Salesman |
|
| 151 |
SHAYEARI DUTTA |
05-03-2021 |
SEM-3, CC5, Death of a Salesman, Miller's Introduction |
|
| 152 |
SUDIPTA SAHA |
04-03-2021 |
CC12, SONS AND LOVERS - A PSYCHOLOGICAL STUDY |
|
| 153 |
SUDIPTA SAHA |
04-03-2021 |
CC5, DADDY - CRITICAL ANALYSIS |
|
| 154 |
SUDIPTA SAHA |
04-03-2021 |
CC12, SONS AND LOVERS - CHARACTER SKETCH OF PAUL, GERTRUDE AND MIRIAM |
|
| 155 |
SUDIPTA SAHA |
04-03-2021 |
GE1, THE FLY - CRITICAL ANALYSIS |
|
| 156 |
SHAYEARI DUTTA |
01-03-2021 |
SEM-3, CC7, Duchess of Malfi criticism, Robert Watson |
|
| 157 |
SUDIPTA SAHA |
01-03-2021 |
CC12, SONS AND LOVERS - OEDIPUS COMPLEX |
|
| 158 |
SHAYEARI DUTTA |
01-03-2021 |
SEM-3, CC7, The Function of Bosola, David Luisi |
|
| 159 |
SUDIPTA SAHA |
01-03-2021 |
CC12, SONS AND LOVERS - MAN-WOMAN RELATIONSHIP |
|
| 160 |
SHAYEARI DUTTA |
01-03-2021 |
SEM-3, CC7, The Ambiguity of Bosola, Thayer |
|
| 161 |
SHAYEARI DUTTA |
01-03-2021 |
SEM-5, CC12, Spectral Moonshine, Stephens |
|
| 162 |
SHAYEARI DUTTA |
01-03-2021 |
SEM-5, CC12, Two Vision in Heart of Darkness, Edward Said |
|
| 163 |
SHAYEARI DUTTA |
01-03-2021 |
SEM-5, CC12, An Image of Africa, Chinua Acebe |
|
| 164 |
DR. RIMA CHAKRABORTY |
26-02-2021 |
LCC 2, GITANJALI 50 |
|
| 165 |
SUDIPTA SAHA |
26-02-2021 |
LCC 2, THREE YEARS SHE GREW - ANALYSIS AND SAMPLE QUESTIONS |
|
| 166 |
SHAYEARI DUTTA |
26-02-2021 |
SEM-5, LCC-2, Break, Break, Break, text and summary |
|
| 167 |
DR. RIMA CHAKRABORTY |
25-02-2021 |
SECA2, CV WRITING |
|
| 168 |
SUDIPTA SAHA |
25-02-2021 |
CC1, JOHN OSBORNE AND THE ANGRY YOUNG MEN |
|
| 169 |
SUDIPTA SAHA |
25-02-2021 |
CC1, JOHN OSBORNE AND THE ANGRY YOUNG MEN |
|
| 170 |
SUDIPTA SAHA |
25-02-2021 |
CC1, ANGRY YOUNG MAN MOVEMENT |
|
| 171 |
SUDIPTA SAHA |
25-02-2021 |
AECC 1, SIMPLE, COMPUND AND COMPLEX SENTENCES |
|
| 172 |
SUDIPTA SAHA |
25-02-2021 |
AECC 1, TRANSFORMATION OF SENTENCES - ALL IN ONE |
|
| 173 |
SUDIPTA SAHA |
25-02-2021 |
AECC 1, AFFIRMATIVE AND NEGATIVE SENTENCES |
|
| 174 |
SHAYEARI DUTTA |
23-02-2021 |
SEM 1, CC2, Roman Slave Society, history |
|
| 175 |
DR. RIMA CHAKRABORTY |
22-02-2021 |
CC3/ GE3, UP-HILL |
|
| 176 |
MADHULINA BAURI |
22-02-2021 |
Sem1, Oedipus the king |
|
| 177 |
MADHULINA BAURI |
22-02-2021 |
Sem5, DSC |
|
| 178 |
MADHULINA BAURI |
22-02-2021 |
GE1, Ode to Autumn |
|
| 179 |
SUDIPTA SAHA |
21-02-2021 |
CC1, HAROLD PINTER |
|
| 180 |
SUDIPTA SAHA |
21-02-2021 |
CC1, THE THEATRE OF THE ABSURD |
|
| 181 |
SHAYEARI DUTTA |
19-02-2021 |
DSE A1, I Say Unto Waris Shah, Amrita Pritam |
|
| 182 |
SHAYEARI DUTTA |
19-02-2021 |
DSE A1, The Void, Muktibodh |
|
| 183 |
SUDIPTA SAHA |
14-02-2021 |
CC1, MODERN NOVEL - JAMES JOYCE, VIRGINIA WOOLF AND JOSEPH CONRAD |
|
| 184 |
SUDIPTA SAHA |
14-02-2021 |
CC1, MODERNISM - BACKGROUND AND STREAM OF CONSCIOUSNESS TECHNIQUE |
|
| 185 |
DR. RIMA CHAKRABORTY |
12-02-2021 |
AECC1, SIMPLE, COMPOUND AND COMPLEX SENTENCES |
|
| 186 |
SUDIPTA SAHA |
11-02-2021 |
CC11, I CANNOT LIVE WITH YOU - CRITICAL ANALYSIS |
|
| 187 |
SUDIPTA SAHA |
11-02-2021 |
AECC 1, DEGREES OF COMPARISON |
|
| 188 |
DR. RIMA CHAKRABORTY |
09-02-2021 |
CC5 (SEM 3), TITLE OF DRY SEPTEMBER |
|
| 189 |
DR. RIMA CHAKRABORTY |
09-02-2021 |
CC5 (SEM 3), DRY SEPTEMBER AS A SHORT STORY |
|
| 190 |
DR. RIMA CHAKRABORTY |
05-02-2021 |
CC5 (SEM 3), BIOGRAPHY OF WILLIAM FAULKNER |
|
| 191 |
DR. RIMA CHAKRABORTY |
05-02-2021 |
CC11 (SEM 5)/ GE3 (SEM 3), HOW DO I LOVE THEE CRITICAL APPRECIATION |
|
| 192 |
DR. RIMA CHAKRABORTY |
03-02-2021 |
CC7 (SEM 3), SHORT QUESTIONS FROM RAPE OF THE LOCK |
|
| 193 |
DR. RIMA CHAKRABORTY |
03-02-2021 |
CC7 (SEM 3), USE OF MACHINERY IN RAPE OF THE LOCK |
|
| 194 |
DR. RIMA CHAKRABORTY |
03-02-2021 |
CC7 (SEM 3), RAPE OF THE LOCK AS A CRITIQUE OF SOCIETY |
|
| 195 |
DR. RIMA CHAKRABORTY |
03-02-2021 |
CC7 (SEM 3), BELINDA |
|
| 196 |
DR. RIMA CHAKRABORTY |
03-02-2021 |
CC7 (SEM 3), RAPE OF THE LOCK AS A MOCK EPIC |
|
| 197 |
SUDIPTA SAHA |
02-02-2021 |
CC11, BLISS - SYMBOLS |
|
| 198 |
SUDIPTA SAHA |
02-02-2021 |
CC11, BLISS - THEMES |
|
| 199 |
SUDIPTA SAHA |
02-02-2021 |
CC11, BLISS - ON KATHERINE MANSFIELD (BACKGROUND) |
|
| 200 |
DR. RIMA CHAKRABORTY |
01-02-2021 |
GE3 (SEM 3), PALANQUIN BEARERS |
|
| 201 |
DR. RIMA CHAKRABORTY |
29-01-2021 |
DSE A2(SEM 5), HOME AND THE WORLD AS AN INTROSPECTIVE NOVEL |
|
| 202 |
DR. RIMA CHAKRABORTY |
29-01-2021 |
DSE A2(SEM 5), CHARACTER OF NIKHIL |
|
| 203 |
DR. RIMA CHAKRABORTY |
29-01-2021 |
DSE A2 (SEM 5), HOME AND THE WORLD AS A POLITICAL NOVEL |
|
| 204 |
DR. RIMA CHAKRABORTY |
29-01-2021 |
DSE A2 (SEM 5), TITLE OF HOME AND THE WORLD |
|
| 205 |
DR. RIMA CHAKRABORTY |
29-01-2021 |
DSE A2, NARRATIVE TECHNIQUE IN HOME AND THE WORLD |
|
| 206 |
DR. RIMA CHAKRABORTY |
29-01-2021 |
DSE A2 (SEM 5), CHARACTER OF BIMALA |
|
| 207 |
MADHULINA BAURI |
29-01-2021 |
Sem 5, Text of The Color Purple |
|
| 208 |
DR. RIMA CHAKRABORTY |
28-01-2021 |
CC1 (SEM 1), ANGLO SAXON HEROIC POETRY |
|
| 209 |
SUDIPTA SAHA |
28-01-2021 |
CC6, THROUGH THE LOOKING GLASS - CHAPTERS 1-3 |
|
| 210 |
DR. RIMA CHAKRABORTY |
27-01-2021 |
CC7 (SEM 3), SUMMARY AND ANALYSIS OF THE RAPE OF THE LOCK |
|
| 211 |
DR. RIMA CHAKRABORTY |
26-01-2021 |
CC6 (SEM 3), THEMES, MOTIFS AND SYMBOLS IN MURDER OF ROGER ACKROYD |
|
| 212 |
DR. RIMA CHAKRABORTY |
26-01-2021 |
CC6 (SEM 3), BIOGRAPHY OF AGATHA CHRISTIE |
|
| 213 |
DR. RIMA CHAKRABORTY |
26-01-2021 |
DSE B1 (SEM 5), HEROIC TRAGEDY |
|
| 214 |
DR. RIMA CHAKRABORTY |
26-01-2021 |
DSE B1 (SEM 5), ROLE OF CHORUS |
|
| 215 |
SHAYEARI DUTTA |
26-01-2021 |
SEM-1, CC2, Poetics, Aristotle, full text |
|
| 216 |
DR. RIMA CHAKRABORTY |
20-01-2021 |
CC1 (SEM 1), CONTRIBUTION OF CHAUCER |
|
| 217 |
DR. RIMA CHAKRABORTY |
20-01-2021 |
CC1 (SEM 1), ANGLO SAXON PROSE |
|
| 218 |
DR. RIMA CHAKRABORTY |
20-01-2021 |
CC1 (SEM 1), BEOWULF AS A PICTURE OF ANGLO SAXON SOCIETY |
|
| 219 |
DR. RIMA CHAKRABORTY |
20-01-2021 |
CC1 (SEM 1), BEOWULF AS AN EPIC |
|
| 220 |
DR. RIMA CHAKRABORTY |
18-01-2021 |
CC11 (SEM 5), CRITICAL APPRECIATION OF THE VINDICATION OF THE RIGHTS OF WOMEN |
|
| 221 |
DR. RIMA CHAKRABORTY |
18-01-2021 |
CC11 (SEM 5), SUMMARY OF VINDICATION OF THE RIGHTS OF WOMEN |
|
| 222 |
SHAYEARI DUTTA |
15-01-2021 |
SEM-1, CC2, The Pot of Gold, full text |
|
| 223 |
SHAYEARI DUTTA |
14-01-2021 |
SEM-3, CC7, The Duchess of Malfi, full text |
|
| 224 |
DR. RIMA CHAKRABORTY |
13-01-2021 |
CC6 (SEM 3) TWENTY RULES OF DETECTIVE FICTION |
|
| 225 |
DR. RIMA CHAKRABORTY |
11-01-2021 |
CC5 (SEM 3), CRITICAL APPRECIATION OF AFTER APPLE PICKING |
|
| 226 |
SHAYEARI DUTTA |
11-01-2021 |
SEM-5, CC12 Heart of Darkness, full text |
|
| 227 |
SHAYEARI DUTTA |
11-01-2021 |
SEM-5, CC12, Partitioned Poland Brief History |
|
| 228 |
SUDIPTA SAHA |
08-01-2021 |
CC6, THROUGH THE LOOKING GLASS - BACKGROUND |
|
| 229 |
DR. RIMA CHAKRABORTY |
04-01-2021 |
CC5 (SEM 3) CRITICAL APPRECIATION OF O CAPTAIN ! MY CAPTAIN |
|
| 230 |
DR. RIMA CHAKRABORTY |
04-01-2021 |
CC5 (SEM 3), TEXT OF O CAPTAIN! MY CAPTAIN! |
|
| 231 |
JAHIRA HOSSAIN |
24-11-2020 |
CC 9, COMPARATIVE ANALYSIS OF SONGS OF INNOCENCE AND SONGS OF EXPERIENCE |
|
| 232 |
JAHIRA HOSSAIN |
23-11-2020 |
CC 3, GENDER AND SEXUALITY |
|
| 233 |
JAHIRA HOSSAIN |
23-11-2020 |
CC 3, FEMINIST VISIONS AND QUEER FUTURES (INTRODUCTION) |
|
| 234 |
JAHIRA HOSSAIN |
23-11-2020 |
CC 3, INDIAN AUDIENCE AND THE PLAYS OF MAHESH DATTANI |
|
| 235 |
JAHIRA HOSSAIN |
23-11-2020 |
CC 8, INDIVIDUALISM AND HUMAN NATURE IN ROBINSON CRUSOE |
|
| 236 |
JAHIRA HOSSAIN |
23-11-2020 |
CC 8, COLONIALISM IN ROBINSON CRUSOE |
|
| 237 |
JAHIRA HOSSAIN |
23-11-2020 |
CC 8, ASPECTS OF LIFE AND THOUGHT IN ROBINSON CRUSOE |
|
| 238 |
DR. RIMA CHAKRABORTY |
19-11-2020 |
CC7 (SEM 3), SUMMARY OF CANTO 1 OF THE RAPE OF THE LOCK |
|
| 239 |
DR. RIMA CHAKRABORTY |
03-11-2020 |
DSE B1, TRAGIC HERO |
|
| 240 |
MADHULINA BAURI |
01-08-2020 |
Sem 5 The color purple |
|
| 241 |
SUDIPTA SAHA |
23-06-2020 |
CC4, ONE DAY I WROTE HER NAME - ANALYSIS |
|
| 242 |
SUDIPTA SAHA |
23-06-2020 |
CC10, PRE-RAPHAELITE PAINTINGS |
|
| 243 |
SUDIPTA SAHA |
07-06-2020 |
CC10, GOBLIN MARKET - ANALYSIS |
|
| 244 |
SUDIPTA SAHA |
07-06-2020 |
CC10, GOBLIN MARKET - CHARACTERISTICS OF PRE-RAPHAELITE POETRY |
|
| 245 |
DR. RIMA CHAKRABORTY |
03-06-2020 |
CC2/GE, LIST OF IMPORTANT TOPICS ON DREAM CHILDREN |
|
| 246 |
DR. RIMA CHAKRABORTY |
03-06-2020 |
CC8, LIST OF IMPORTANT TOPICS ON WAY OF THE WORLD |
|
| 247 |
DR. RIMA CHAKRABORTY |
03-06-2020 |
CC4, LIST OF IMPORTANT TOPICS ON TWELFTH NIGHT |
|
| 248 |
DR. RIMA CHAKRABORTY |
03-06-2020 |
CC4, CHARACTER OF MALVOLIO |
|
| 249 |
SUDIPTA SAHA |
28-05-2020 |
CC8, SAMUEL JOHNSON'S LONDON - TREATMENT OF THE COUNTRY AND THE CITY |
|
| 250 |
SUDIPTA SAHA |
28-05-2020 |
CC8, SAMUEL JOHNSON'S LONDON - AS A SATIRE |
|
| 251 |
DR. RIMA CHAKRABORTY |
19-05-2020 |
CC2/GE, DREAM CHILDREN EXPLAINED |
|
| 252 |
DR. RIMA CHAKRABORTY |
19-05-2020 |
CC4, CHARACTER OF VIOLA IN TWELFTH NIGHT |
|
| 253 |
DR. RIMA CHAKRABORTY |
19-05-2020 |
SEB B2 (SEM 4), CITING RESOURCES |
|
| 254 |
SUDIPTA SAHA |
19-05-2020 |
GE2, SHOOTING AN ELEPHANT - THEME OF IMPERIALISM |
|
| 255 |
SUDIPTA SAHA |
19-05-2020 |
CC8, LONDON - BACKGROUND DISCUSSION |
|
| 256 |
DR. RIMA CHAKRABORTY |
14-05-2020 |
SEC B2 (SEM 4), SPECIMEN ESSAY ON Women in Leadership |
|
| 257 |
DR. RIMA CHAKRABORTY |
14-05-2020 |
SEC B2 (SEM 4), SPECIMEN ESSAY ON REALITY SHOWS FOR CHILDREN |
|
| 258 |
DR. RIMA CHAKRABORTY |
14-05-2020 |
SEC B2 (SEM 4), SPECIMEN ESSAY ON MEDIA AND GENDER |
|
| 259 |
DR. RIMA CHAKRABORTY |
14-05-2020 |
SEC B2 (SEM 4), How to Write a Substance of a Prose Piece |
|
| 260 |
DR. RIMA CHAKRABORTY |
12-05-2020 |
CC2/GE, SUMMARY AND ANALYSIS OF DREAM CHILDREN |
|
| 261 |
DR. RIMA CHAKRABORTY |
12-05-2020 |
CC8, PROVISO SCENE in THE WAY OF THE WORLD |
|
| 262 |
DR. RIMA CHAKRABORTY |
12-05-2020 |
CC4, The Fool in Twelfth Night |
|
| 263 |
SUDIPTA SAHA |
12-05-2020 |
CC8, SAMUEL JOHNSON'S LONDON - BACKGROUND INTRODUCTION |
|
| 264 |
SUDIPTA SAHA |
12-05-2020 |
CC9, FRANKENSTEIN - CHAPTERS 18-24 |
|
| 265 |
DR. RIMA CHAKRABORTY |
11-05-2020 |
CC9, INTRODUCTION ON ROMANTICISM |
|
| 266 |
DR. RIMA CHAKRABORTY |
11-05-2020 |
CC4, PPT ON TWELFTH NIGHT |
|
| 267 |
DR. RIMA CHAKRABORTY |
11-05-2020 |
CC8, The Way of the World |
|
| 268 |
MADHULINA BAURI |
11-05-2020 |
Sem 2,cc4, Sleep walking in Macbeth |
|
| 269 |
SUDIPTA SAHA |
07-05-2020 |
CC9, FRANKENSTEIN - CHAPTERS 9-17 |
|
| 270 |
DR. RIMA CHAKRABORTY |
06-05-2020 |
CC8, Restoration Comedy of Manners Defining and Expanding |
|
| 271 |
DR. RIMA CHAKRABORTY |
06-05-2020 |
CC2/GE, LAMB AS A ROMANTIC ESSAYIST |
|
| 272 |
SHAYEARI DUTTA |
05-05-2020 |
SEM-2, CC3, Indian Writing in English |
|
| 273 |
SHAYEARI DUTTA |
03-05-2020 |
SEM-2, CC3 Indian Writing in English |
|
| 274 |
DR. RIMA CHAKRABORTY |
02-05-2020 |
CC8, WAY OF THE WORLD AS A COMEDY OF MANNERS |
|
| 275 |
SUDIPTA SAHA |
01-05-2020 |
CC3, DETAILED INDIAN WRITING IN ENGLISH |
|
| 276 |
DR. RIMA CHAKRABORTY |
29-04-2020 |
CC3, CRITICAL APPRECIATION OF AN ENTERPRISE |
|
| 277 |
DR. RIMA CHAKRABORTY |
29-04-2020 |
CC3, AN ENTERPRISE AS A SOCIAL SATIRE |
|
| 278 |
DR. RIMA CHAKRABORTY |
29-04-2020 |
CC3, ANALYSIS OF AN ENTERPRISE |
|
| 279 |
DR. RIMA CHAKRABORTY |
28-04-2020 |
CC3, EZEKIEL AND THE HUMAN CONDITION |
|
| 280 |
DR. RIMA CHAKRABORTY |
27-04-2020 |
CC2/GE2, DreamChildrenasanEssay overall critical appreciation |
|
| 281 |
SHAYEARI DUTTA |
27-04-2020 |
SEM-4, CC8, The Spectator Article |
|
| 282 |
SHAYEARI DUTTA |
27-04-2020 |
SEM-4, CC8, The Spectator Article |
|
| 283 |
SHAYEARI DUTTA |
27-04-2020 |
SEM-4, CC8, The Spectator Article |
|
| 284 |
SHAYEARI DUTTA |
27-04-2020 |
SEM-4, CC8 The Spectator Article |
|
| 285 |
SHAYEARI DUTTA |
27-04-2020 |
SEM-2, CC3, Indian Writing in English Article |
|
| 286 |
SHAYEARI DUTTA |
27-04-2020 |
GE-2, CC2, As You Like It |
|
| 287 |
SHAYEARI DUTTA |
27-04-2020 |
GE-2, CC2, As You Like It |
|
| 288 |
SHAYEARI DUTTA |
27-04-2020 |
GE-2, CC2, As You Like It |
|
| 289 |
SHAYEARI DUTTA |
27-04-2020 |
GE-2, CC2, As You like It |
|
| 290 |
MADHULINA BAURI |
27-04-2020 |
Sem 2, cc4, Indian Writing in English |
|
| 291 |
DR. RIMA CHAKRABORTY |
26-04-2020 |
CC4 (SEM 2), TITLE OF TWELFTH NIGHT |
|
| 292 |
SHAYEARI DUTTA |
26-04-2020 |
SEM-2, CC3, Indian Writing in English |
|
| 293 |
SUDIPTA SAHA |
26-04-2020 |
GE2, ARMS AND THE MAN - SUMMARY, THEMES AND SYMBOLS |
|
| 294 |
MADHULINA BAURI |
26-04-2020 |
SEM 4,CC-10, Mayor of Casterbridge |
|
| 295 |
MADHULINA BAURI |
26-04-2020 |
SEM 4,CC-9, Ode to the Nightingale |
|
| 296 |
MADHULINA BAURI |
26-04-2020 |
Sem 2,CC4, An Introduction |
|
| 297 |
SUDIPTA SAHA |
24-04-2020 |
GE4, ON ACADEMIC WRITING AND WRITING ESSAY |
|
| 298 |
SUDIPTA SAHA |
23-04-2020 |
CC9, FRANKENSTEIN - THE GOTHIC |
|
| 299 |
DR. RIMA CHAKRABORTY |
22-04-2020 |
CC9 Lamb as the Romantic Essayst Superannuated Man |
|
| 300 |
DR. RIMA CHAKRABORTY |
19-04-2020 |
CC8 PLOT CONSTRUCTION OF THE WAY OF THE WORLD |
|
| 301 |
DR. RIMA CHAKRABORTY |
19-04-2020 |
CC4, PLOT OF TWELFTH NIGHT |
|
| 302 |
SHAYEARI DUTTA |
18-04-2020 |
SEM-2, CC3, Indian Writing in English Article |
|
| 303 |
SHAYEARI DUTTA |
18-04-2020 |
SEM-2, CC3 Indian Writing in English |
|
| 304 |
SHAYEARI DUTTA |
16-04-2020 |
SEM-4, CC8, Sir Roger At Home |
|
| 305 |
DR. RIMA CHAKRABORTY |
15-04-2020 |
CC9, CRITICAL APPRECIATION OF SUPERANNUATED MAN |
|
| 306 |
DR. RIMA CHAKRABORTY |
15-04-2020 |
CC3 BIOGRAPHY OF NISSIM EZEKIEL |
|
| 307 |
SUDIPTA SAHA |
12-04-2020 |
CC4, SONNET 18 |
|
| 308 |
SUDIPTA SAHA |
10-04-2020 |
CC3, DAWN AT PURI |
|
| 309 |
MADHULINA BAURI |
10-04-2020 |
sem2,CC3, Metaphysical poetry |
|
| 310 |
SHAYEARI DUTTA |
09-04-2020 |
SEM-4, CC8, The Spectator Background |
|
| 311 |
DR. RIMA CHAKRABORTY |
08-04-2020 |
CC9, SUPERANNUATED MAN TEXT |
|
| 312 |
SUDIPTA SAHA |
05-04-2020 |
CC 9, FRANKENSTEIN |
|
| 313 |
SUDIPTA SAHA |
05-04-2020 |
GE2, SHOOTING AN ELEPHANT - THEMES AND SYMBOLS |
|
| 314 |
SUDIPTA SAHA |
05-04-2020 |
GE4, CITING SOURCES |
|
| 315 |
SHAYEARI DUTTA |
04-04-2020 |
SEM-2, CC3, Indian Writing in English Article |
|
| 316 |
SHAYEARI DUTTA |
04-04-2020 |
SEM-2, CC3, Indian Writing in English |
|
| 317 |
SUDIPTA SAHA |
01-04-2020 |
CC4, RENAISSANCE - SOCIAL AND POLITICAL BACKGROUND |
|
| 318 |
SHAYEARI DUTTA |
30-03-2020 |
SEM-2, CC3, Indian Writing in English |
|
| 319 |
MADHULINA BAURI |
30-03-2020 |
SEM 4,CC-10, Mayor of Casterbridge |
|
| 320 |
SUDIPTA SAHA |
29-03-2020 |
CC3, INDIAN WRITING IN ENGLISH |
|
| 321 |
SUDIPTA SAHA |
29-03-2020 |
CC3, TO INDIA MY NATIVE LAND |
|
| 322 |
DR. RIMA CHAKRABORTY |
28-03-2020 |
CC3 CRITICAL APPRECIATION OF A RIVER |
|
| 323 |
SHAYEARI DUTTA |
27-03-2020 |
SEM-2, CC3, Indians Writing English |
|
| 324 |
SUDIPTA SAHA |
27-03-2020 |
CC9, FRANKENSTEIN |
|
| 325 |
MADHULINA BAURI |
27-03-2020 |
SEM 4,CC-8, To His Coy Mistress |
|
| 326 |
DR. RIMA CHAKRABORTY |
25-03-2020 |
CC3, A.K RAMANUJAN |
|